Kickstarter Largely Complete, Next Steps

For those that did not see our Kickstarter update, all the packages (that we have addresses for) have been shipped out! Other than trying to bug the folks that didn’t give us their address, and a few local deliveries, everyone should be getting their hands on the sweet colored vinyl soon! For those that missed out on Kickstarter, the black vinyl version is available on our Bandcamp page. We do have extra colored vinyl, but will only be giving these out for special occasions (we don’t plan on selling them online).

We keep saying it, but we mean it – thanks to everyone who helped make this possible! From family, to friends to, most importantly, fans – we could not have done it without your support!

The next steps for us is the same as it has been for the last few months – focus on live shows and to work on our second album via the live show format first and work on a studio album later on. We were making good progress, but the Holidays have slowed us down a bit. That’s not necessarily a bad thing since we also have lots of equipment to buy in order to do shows, among other things. And we are still likely on target to start doing shows sometime next year. We’ll get there!

URP Preparing for Production Run of 7″

I took a little longer than expected as we had to have a few rounds of test pressings made to make sure the audio quality and coloring (for the special edition) was good, but we have now signed off on the full production run and should have a box full of 7″ records here soon! For those that pledged your support via Kickstarter or pre-ordered the black edition, the wait is almost over! As we have said before, we feel the wait will have been well worth it. The record sounds just fantastic! More than that, you all have helped us reach both a dream and milestone in the history of Victim Cache and that is significant for us! So thank you again for all your support!

7″ Is Now Available For Pre-Order!

We have been getting some interest in our 7″ single beyond Kickstarter, so I thought it might be time to go ahead and put up a pre-order for it for those that missed out on Kickstarter. Note that it is the black vinyl version. Colored vinyl was offered via Kickstarter, as were signed copies and we wanted to keep that semi-exclusive. So if you want a colored version, we may sell any extras we have at our live shows (which is also how you can also score a signed copy) but have opted not to sell any colored vinyl online.

Being that it is a pre-order, and since the Kickstarter orders are going out first, please have patience while we fulfill those! Estimated time they will be available is October, but that is not set in stone. Those who would rather wait until they are available feel free – we just wanted to offer something to folks who wanted to grab the record but didn’t want to forget or have to keep track of when it might be available.

Pre-order or otherwise, these are going to be so kick-ass and we’re really excited to be able to offer this! Again, huge thanks to those who pledged their support via Kickstarter! We could not have done it without you! And, for what it is worth, the colored vinyl edition is shaping up to be really cool!

Orders Submitted for the 7″!

Our dub-plate came in from Aardvark earlier this week and we have spent the last few days listening to it to make sure it sounds good. Good is an understatement – it sounds amazing! Tsunami Gaiden sounds perfect. In fact, we think it sounds better than our digital master, which was surprising to us. It’s basically the way we wanted it heard and it’s just awesome! Folks who are destined to get their hands on the 7″ are in for a treat!

Now that we have verified everything sounds good, we have been able to make progress with ordering the fold-overs and starting the ordering process with United Record Pressing. Fold-overs should be here as early as next week and I just sent the paperwork to URP moments ago. At this point, we still need to finish the labels for the record. They are mostly done but need a few finishing touches. We were going back and forth on the label color but settled on a black label with silver ink with a fun, if a tad predictable, design. Next step after that is listening to the test pressings and, if that goes well, we get to start churning out the real deal!

Designing a Live Rack Power Supply

Since we are still waiting on both Aardvark to send us our reference lacquer, as well as some mounting hardware for my ArduinoBoy Advance, and have had a stomach bug creep through cancelling practice; I spent some time switching gears a bit and working on a semi-modular PSU idea I had for our live stage rack.

Originally I was working on having a single monster PSU that handles all the needed voltages. Soon I realized that might not be the best option though because some things were going to be built out over time and power requirements would change as a result. It would be nice to only install what we need at any given time, to spread the costs out over time. And going modular tends to be a bit more cost efficient when it comes to fabricating boards (we get boards in sets of 3). This might also allow for supply isolation – we can have all digital gear run on a different supply then mixed or analog gear to avoid noise (although in practice, for a live setting, I don’t see that being significant).

Creating a linear-regulated DC PSU is rather straightforward – transformer, rectifier, smoothing caps, regulator, filter caps, done. But after that things can turn complex. Designing the PSU for the intended load, minimizing noise, handling transients, adding protection, etc. It’s those topics that tend to involve a bit of black magic.

For instance, yesterday I spent probably too much time learning about avalanche diodes and transient voltage suppression. Pretty neat stuff but for such a simple addition to the circuit, it ended up being a rather complicated topic. The whole point, at least in how it will be used in my circuit, is to limit voltage (which indicates something isn’t right such as if the voltage regulator fails). Basically the diode is installed between ground and +V. During normal operation, the diode prevents the current flowing to ground. If the circuit climbs above a certain voltage, then the diode quickly allows current to flow to ground, causing a short, and hopefully causing a fuse in the circuit to activate. This thereby prevents destruction of components at least up-stream of the power supply. Or at least that is how I understand it.

Then there is the topic of using fewer, bigger, smooth capacitors versus smaller, more numerous smaller ones. And if the latter, there is even a debate on how best to wire them for the intended purpose. The theory I choose to subscribe to is having more smaller smoothing caps wired linearly along the supply (as opposed to via some sort of star pattern) with the idea being the next capacitor in sequence is able to further smooth and attenuate noise than the previous while still provide the same overall capacitance. I would think that transient response would suffer over a star pattern, and apparently this design does not optimize ESR very well (ESR is something I am still trying to fully understand). But it does have the intended benefit of making sure noise is generally filtered in sequence. And since we are not driving large amplifiers, large transients should rarely be an issue.

Definitely learned some things this time around and am ending up with a pretty nice design, at least for a non-polar supply. We won’t have a need for anything bi-polar for a while I don’t suspect (that would be required for op-amps or analog filters) but I don’t suspect that would be too much more complicated. Among the things learned? Gonna need to get an o-scope pretty soon…